When an artist sets out to paint a portrait, it can be tempting to know their subject well, but Otto Dix suggests otherwise. He implies that having prior knowledge about the person being painted might cloud the creative process and hinder the artist's ability to capture the essence of the sitter purely through observation.
At its core, this quote reflects on the purity and objectivity in art creation. When an artist knows too much about a subject—such as personal details or preconceived notions—they risk incorporating these biases into their work rather than focusing solely on visual truth. This approach encourages artists to let go of expectations and allow for a more authentic representation, uninfluenced by external factors. It also implies that the best art comes from honest observation rather than subjective understanding.
Otto Dix was a prominent German painter known for his stark and often critical depictions of society during the Weimar Republic era. His work frequently explored themes such as war, corruption, and human suffering. The quote encapsulates his belief in the importance of objective and unbiased artistic expression, which is evident throughout his body of work that remains influential to this day.