" When you have an engagement, at least in my world, the world that I create for myself, an engagement doesn’t begin when you hit the stage and end when you leave the stage. It begins when you hit the city limits, and it ends when you leave the city limits. "
- Utah Phillips

When someone enters a city with the intention of participating in an event or performance, Utah Phillips suggests that their involvement begins well before they set foot on stage and continues long after they leave it. This perspective broadens the scope of what constitutes being engaged in an activity.

Phillips' statement challenges conventional notions about engagement by extending its boundaries beyond physical presence at a venue. Instead, he implies that true engagement starts when one arrives in the city where an event is taking place and ends only once they depart from it. This broader definition encompasses the preparation, anticipation, interactions within the community during their stay, and even reflections after leaving. It emphasizes the interconnectedness of experiences and the lasting impact these engagements can have on both participants and observers.

Utah Phillips was a folk singer, labor activist, storyteller, and a key figure in the American folk music revival movement. Known for his insightful commentary on social issues and his compelling performances, he used his platform to advocate for workers' rights, civil liberties, and environmental stewardship. Phillips’ unique approach to storytelling and activism deeply influenced many individuals and communities across America.