The statement suggests that theatre as an industry tends to favor male creators, particularly those who are older or from a white background. This observation highlights a systemic imbalance within the creative field where certain groups have more influence and representation than others.
Beyond its surface meaning, this quote also points to deeper issues of cultural hegemony and the marginalization of diverse voices in theatre. It challenges the status quo by questioning whether the dominant narratives and perspectives perpetuated through theatre are reflective of society's true diversity. The mention of "dying white men" adds a layer of critique, suggesting that while these individuals may hold significant power, their influence often comes at the expense of fresh, innovative voices from other backgrounds. This reflects a broader conversation about the need for inclusivity and representation in creative industries to ensure that stories resonate with a wider audience.
Katori Hall is an American playwright and screenwriter known for her contributions to contemporary theatre and television. She has been vocal about issues related to diversity and inclusion within the arts, which aligns with the critical stance expressed in this quote. Her work often explores themes of race, gender, and identity, making her a prominent voice advocating for change in traditionally exclusive artistic domains.
