The speaker suggests that his film "Death Line" was crafted with a primary goal beyond mere entertainment—it aimed to draw attention to social class differences in England. Instead of just creating a scary movie, he wanted to use the film as a platform to discuss and highlight these societal issues.
By framing his political message within a horror context, Gary Sherman cleverly leverages genre conventions to underscore his critique of class disparity. This approach not only makes the commentary more engaging for viewers but also allows him to reach a broader audience that might be more inclined to watch a thriller than to engage directly with sociopolitical discourse. The use of a horror film as a vehicle for social criticism is particularly effective because it taps into universal fears and anxieties, making his critique resonant across different demographics.
Gary Sherman is the filmmaker being quoted here. Known for his work in both British and American cinema, Sherman has crafted several notable films that often blend elements of genre storytelling with deeper thematic explorations. His statement highlights a recurring theme in his body of work: using popular entertainment formats to tackle serious social issues.
