When someone points at something with their finger or uses a painting to direct attention to an object or idea, they are essentially making a statement about what they believe is significant or worth noticing. This act of pointing goes beyond merely highlighting; it conveys that the pointed-to element holds value and importance in the eyes of the pointer.
Kehinde Wiley's quote invites us to delve deeper into the nature of art and its role in society. By saying that painting more than just points, he implies that the artwork carries within itself a set of values, beliefs, and intentions from the artist. The act of creating or selecting what is depicted is not neutral; it actively shapes our understanding and perception of the world. This means that when an artist chooses to paint certain subjects or scenes, they are making choices based on their own judgments and values, which are then communicated to viewers. Thus, every brushstroke and color choice becomes a part of a larger narrative about what is important or worthy of attention in our collective consciousness.
Kehinde Wiley is a contemporary American painter known for his striking portraits that challenge traditional power dynamics by featuring African Americans in poses reminiscent of historical European paintings. Born in 1977, Wiley has gained international acclaim for works that blend the classical traditions of portraiture with vibrant, modern aesthetics, often incorporating patterns and motifs from diverse cultural backgrounds. His approach to art not only comments on race, identity, and power but also reflects a deep commitment to questioning and reshaping how we see ourselves in relation to history and culture.
