In Dana Goodyear's reflection on Los Angeles, she paints a picture of a city where many prominent structures are not easily accessible to the general public. These iconic buildings tend to be private residences rather than public spaces, meaning that visitors or casual observers can only view them through the lens of photography books or upon receiving an invitation for entry. This observation suggests that the outward appearance and fame of these buildings do not translate into actual availability or visibility to everyone.
The deeper meaning behind Goodyear's statement delves into Los Angeles' reputation as a place built on illusions and projections, much like its film industry. She likens the city’s architecture and culture to something seen only in photographs or through the lens of an idealized portrayal, akin to how movies are nothing more than light projected onto a screen. This comparison highlights how Los Angeles is often perceived based on curated images rather than real-life experiences, reinforcing the idea that the city's allure is largely constructed for outsiders rather than reflecting everyday reality.
Dana Goodyear is a seasoned writer known for her insightful and nuanced observations about contemporary culture and urban life. Her work has appeared in numerous prestigious publications, including The New Yorker, where she contributes articles that explore complex themes with clarity and depth. Through her writing, she offers readers a thoughtful critique of how cities are perceived and the discrepancies between their public image and private realities.
