" It’s interesting now that basically a CG set is the same cost as a real set. So like if you’re going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it’ll cost you $200,000. It’s the same… the relationship is exactly the same. "
- Zack Snyder

In today's film industry, director Zack Snyder highlights a fascinating economic equivalence between creating physical sets and digital ones. According to his statement, building a computer-generated set such as a suburban house would cost approximately $200,000, which coincidentally mirrors the expense of constructing an actual physical set. This observation underscores how technological advancements in visual effects have brought about parity in costs across different methods of production.

This equivalence raises several intriguing points beyond mere financial considerations. It suggests that both approaches to set creation are now equally viable options for filmmakers, with each having its own merits and drawbacks depending on the project's requirements. Digital sets offer unparalleled flexibility and creative freedom, allowing directors like Snyder to craft intricate environments without practical limitations. However, physical sets provide a tangible reality that can be invaluable for actors' performances and overall production authenticity. The quote also hints at how technological advancements in film production continue to evolve, making it essential for filmmakers to stay informed about the most cost-effective and visually compelling methods available.

Zack Snyder is an American filmmaker known for his distinctive visual style and complex narrative structures. He has directed numerous high-profile films, including “300,” “Watchmen,” and the DC Extended Universe’s “Man of Steel” and “Justice League.” His insights into production economics reflect a deep understanding of both traditional filmmaking techniques and modern digital innovations, making him a significant voice in contemporary cinema discussions.