The speaker expresses a longing for an essential quality missing from electronic music: the live performance element that embodies spontaneity and engagement. This absence, according to them, leads to a lack of emotional connection or immersion that can be found in other musical genres where musicians interact directly with their audience.
At its core, this statement touches on the inherent differences between electronic and traditional forms of music-making. Electronic music often relies heavily on technology and pre-recorded elements, which might lead some listeners to feel disconnected from the creative process. The speaker suggests that without a live performance aspect, there is no opportunity for musicians to convey their passion or interact with the audience in real-time, thus diminishing the emotional impact of the music. This sentiment highlights the value placed on the immediacy and authenticity that come with live performances.
Lukas Foss was an American composer, conductor, and educator known for his contributions to 20th-century classical music. Born in Berlin in 1922, he moved to New York City at a young age where he studied composition under several notable figures including Stefan Wolpe. Throughout his career, Foss explored various musical styles, blending elements of serialism with jazz and folk influences, showcasing his versatility as both an innovator and interpreter of music.
