During the nineteenth century, there was a noticeable shift in how artists described their creative processes. Instead of using the word "idea," which carries a straightforward and sometimes mundane connotation, they began to prefer the term "inspiration." This change reflected a deeper appreciation for the more profound and often mysterious origins of artistic creation.
The use of "inspiration" over "idea" suggests a broader acknowledgment of the transformative power of creativity. Inspiration implies a divine or supernatural source that elevates an artist's work beyond mere conception, hinting at a spiritual or intellectual elevation in the creative process. This change marked a cultural and linguistic shift towards valuing art as not just an expression but also as a deeply personal and transcendent experience. It underscores the romantic ideals of the era, which celebrated individualism and emotion over reason and order.
Lukas Foss was a renowned American composer, conductor, and teacher who lived from 1922 to 2009. He played a significant role in shaping modern classical music through his innovative compositions and contributions to musical education. His observation on the changing language of artistic expression reflects his deep understanding of how cultural contexts influence creativity and self-expression over time.
