" I’m constantly not on the right side of history. I sympathize with the soldiers in the enemy’s camp. For example in WWII, we know the Nazis and the Japanese were wrong. But I sympathize with the individual story of a soldier who was drafted into that. "
- Chloe Zhao

In the given statement, Chloe Zhao expresses a sense of empathy towards individuals caught up in historical conflicts despite knowing that their actions or roles were morally wrong. She reflects on her understanding and feelings toward soldiers who were forced to serve in Nazi Germany or Imperial Japan during World War II, acknowledging that while these nations were indeed on the wrong side of history, she finds it difficult not to sympathize with individual stories of conscripted soldiers.

The deeper meaning of Zhao's statement touches upon complex ethical and moral issues surrounding personal responsibility versus societal compulsion. It questions the extent to which individuals can be held accountable for actions taken under duress or as a result of societal norms that may be oppressive or morally bankrupt. By highlighting the plight of individual soldiers, Zhao prompts us to consider the broader implications of historical narratives that often simplify the complexities of human experience during wartime. This perspective encourages readers to look beyond simplistic labels and binary moral judgments to appreciate the nuanced realities faced by ordinary people in extraordinary circumstances.

Chloe Zhao is a renowned Chinese-Canadian filmmaker known for her work on films such as "The Rider" and "Nomadland," which earned her an Academy Award for Best Director, making her the first Asian woman to receive this honor. Her approach to storytelling often focuses on marginalized communities and individuals navigating challenging life circumstances with resilience and hope.