" I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn’t like the ‘naturalism,’ the sad or the ‘down-to-earth’ characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor – and beautiful women. "
- Christian Louboutin

The quote reflects a personal journey from childhood through early adolescence, where the speaker describes their formative experiences with cinema in Paris during the mid-1960s to the early 1970s. They express dissatisfaction with mainstream films of that era, finding them too grounded in realism and lacking in the elements they craved: imaginative storytelling, whimsical scenarios, opulent settings, and captivating female characters.

Delving deeper into this statement reveals a broader commentary on artistic preferences and the power of cinema as a medium for escapism. The speaker's preference for fantasy and dreamlike narratives suggests a desire to transcend everyday mundanity through art. This sentiment is universal among individuals who seek solace or inspiration in films that challenge conventional storytelling. Additionally, it highlights how personal tastes can diverge significantly from cultural norms, shaping one’s identity and creative aspirations. By rejecting the prevalent naturalism of cinema at the time, the speaker positions themselves as a unique observer with an eye for more extravagant and imaginative aesthetics.

Christian Louboutin is a renowned French shoe designer known globally for his signature red-soled footwear, which has become an iconic symbol in high fashion. Born in Paris, he developed his distinct artistic sensibilities early on, which were not only influenced by the world of cinema but also later translated into the design philosophy that characterized his brand. His statement encapsulates a pivotal moment in his formative years where he began to distinguish himself from the crowd through a keen appreciation for art and aesthetics beyond the conventional norms of his time.