Kevin Brownlow’s statement reflects a momentous decision he made regarding the restoration of "Napoleon," a film that holds significant historical and artistic value. The context behind this decision involves a special screening at the Odeon Leicester Square cinema in London during a festival celebrating widescreen films in 1968. At this event, Richard Arnell and George Dunning, known for their work on "Yellow Submarine," showcased the final segment of "Napoleon." This part included triptychs, which are intricate compositions made up of three panels or parts, but was presented without musical accompaniment and with technical issues like misaligned projectors. Despite these shortcomings, Brownlow recognized the importance of preserving this rare glimpse into a film that had been largely unseen for decades.
The deep meaning of Kevin Brownlow’s quote lies in his recognition of historical preservation and the enduring appeal of cinematic masterpieces, even when they are not presented in their optimal form. The screening he describes was likely a rare opportunity to see a part of Abel Gance's visionary work "Napoleon," which had been difficult to access due to its technical challenges and limited availability. Brownlow’s decision to restore the film after this screening underscores his commitment to ensuring that significant works of cinema are not lost to time, emphasizing the importance of maintaining cultural heritage through restoration efforts. This quote also speaks to the resilience of art and its ability to inspire even when it is presented imperfectly.
Kevin Brownlow is a renowned historian and author specializing in early cinema and silent film preservation. His extensive work includes writing books such as "The Parade's Gone By..." and producing documentaries that highlight the importance of restoring and preserving classic films. His dedication to understanding and sharing the history of cinema has earned him recognition for his contributions to the field, making him a respected authority on the subject.
