In this statement, Bernardo Bertolucci emphasizes his openness to diverse interpretations of his films, acknowledging that once a film leaves the realm of creation and enters the hands of viewers, it takes on many forms and meanings. He underscores that reality within filmmaking lies only in the moment when the camera captures images and moments during production.
Bertolucci's statement delves into the poetic nature of cinema as an art form. By comparing each film to a return to poetry or an attempt at creating a poem, he highlights the creative and expressive essence inherent in filmmaking. This metaphor suggests that films are more than just visual narratives; they are intricate compositions that blend imagery, sound, emotion, and narrative in ways that evoke poetic beauty and resonance with audiences. Each film is thus seen as a unique artistic expression where the filmmaker attempts to capture fleeting moments or emotions through a carefully crafted sequence of images.
Bernardo Bertolucci is an acclaimed Italian director known for his influential films such as "The Conformist," "Last Tango in Paris," and "1900." His work often explores complex themes like politics, sexuality, and the human condition, earning him critical acclaim and numerous awards. His statement encapsulates his belief that cinema can transcend traditional storytelling to become a medium for artistic exploration and personal expression.
