In her reflection on the arts, Ann Reinking compares herself to both a long-distance runner and a sprinter, depending on whether she’s working on theater or movies respectively. This metaphor highlights the distinct demands each form places upon an artist. Theater performances can last several hours over extended periods, requiring sustained energy and consistency from actors who must maintain their performance night after night. On the other hand, movie roles are often completed within shorter timeframes, necessitating bursts of intense focus and effort.
By likening herself to a long-distance runner for theater work, Reinking emphasizes the stamina and endurance required in maintaining consistent performances over many days or weeks. For movies, she sees herself as a sprinter, needing quick, explosive energy and concentration during short but intense shooting periods. This comparison not only underscores the physical demands of both mediums but also speaks to their differing creative processes and artistic challenges. The metaphor suggests that while both forms of performance share the same basic goal—captivating audiences through art—the approaches and skills necessary for success differ significantly.
Ann Reinking is a renowned American actress, dancer, and choreographer best known for her work in theater and dance. She came to prominence as a principal dancer with the Alvin Ailey American Dance Theater and later joined Broadway’s New York City Ballet. Her most celebrated role was in "Chicago," where she played Velma Kelly alongside Gwen Verdon's Roxie Hart, earning a Tony Award for Best Actress in a Musical. Beyond her performance accolades, Reinking has been influential as a choreographer, particularly in the revival of Bob Fosse’s works such as "All That Jazz." Her versatility and mastery across various artistic disciplines make her insights on performance particularly insightful and reflective of her extensive career experiences.
