But short films are not inferior, just different. I think the short gives a freedom to film-makers. What’s appealing is that you don’t have as much responsibility for storytelling and plot. They can be more like a portrait, or a poem.

In the statement made by Jane Campion, she suggests that short films offer filmmakers a unique creative freedom compared to longer formats. She emphasizes that shorter film lengths do not diminish their artistic value but rather present different challenges and opportunities for storytelling.

Campion highlights the liberating aspect of short films by suggesting they don't require as much structural responsibility as full-length movies. This means that creators can focus more on capturing poignant moments or expressing emotions without feeling compelled to maintain a complex narrative structure. By doing so, filmmakers can explore artistic expression in ways akin to creating a portrait or writing a poem, where the emphasis is often on mood and atmosphere rather than plot development.

Jane Campion, an acclaimed New Zealand filmmaker, is known for her thought-provoking and emotionally charged works such as "The Piano" and "The Power of the Dog." Her insights into short films reflect her broader perspective on cinematic artistry and the diverse ways in which stories can be told through different media.

" But short films are not inferior, just different. I think the short gives a freedom to film-makers. What’s appealing is that you don’t have as much responsibility for storytelling and plot. They can be more like a portrait, or a poem. " - Jane Campion

" But short films are not inferior, just different. I think the short gives a freedom to film-makers. What’s appealing is that you don’t have as much responsibility for storytelling and plot. They can be more like a portrait, or a poem. "
- Jane Campion